Artwork brilliant as usual. Love the monochrome with pink and red exceptions.
Just a thought: in the penultimate panel, would the line to stage left (Pinky’s right) be better curved, to affirm that they are in a ‘plane rather than a house. I’m not sure how it would work composition-wise of course.
The original words to “Big Rock Candy Mountain” are not a happy fantasy. They describe a homeless child molester trying to persuade a target to run off and ride the rails with him, on the promise that they’ll eventually reach a hobo paradise.
Artwork brilliant as usual. Love the monochrome with pink and red exceptions.
Just a thought: in the penultimate panel, would the line to stage left (Pinky’s right) be better curved, to affirm that they are in a ‘plane rather than a house. I’m not sure how it would work composition-wise of course.
I’m thinking nobody would let that plane takeoff. Chaff or no, it’d be a pretty easy target to take down while it’s lifting.
Yes, there should at least be a few shots flying past it, even if they are not well aimed.
I’d say nobody would mourn her, but Pinky might.
The original words to “Big Rock Candy Mountain” are not a happy fantasy. They describe a homeless child molester trying to persuade a target to run off and ride the rails with him, on the promise that they’ll eventually reach a hobo paradise.